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Honoring the pillars of Philippine arts and culture

Published Jun 1, 2025 12:01 am

Honoring the pillars of Philippine arts and culture

In the span of just a few months, the Philippines bid farewell to a constellation of cultural icons: Nora Aunor, Pilita Corrales, Hajji Alejandro, and Freddie Aguilar in April and May 2025, following Gloria Romero in January and Delia Razon in March. These names are not merely prominent figures in the arts — they are pillars of Philippine identity, whose voices, faces, and stories have helped shape the nation’s soul across generations.

Each of these artists defined an era.

Nora Aunor, “The Superstar,” was more than a singer and actress—she was a symbol of aspiration and resilience, breaking barriers for the marginalized and setting the gold standard for cinematic artistry. She has been recognized as a National Artist for Film and Broadcast. Pilita Corrales, Asia’s Queen of Songs, brought elegance and global recognition to Filipino music with her multilingual performances and pioneering television presence. Hajji Alejandro’s smooth ballads captured the romance and spirit of the 1970s, while Freddie Aguilar’s stirring anthems gave voice to the struggles of the common Filipino, most notably with “Anak,” a song that transcended borders and generations.

Gloria Romero and Delia Razon, for their part, embodied the grace and grandeur of Philippine cinema’s golden age. Their performances etched timeless stories into the nation’s collective memory, bridging the traditions of old with the aspirations of the new.

What happens when artists of such stature pass away? The nation pauses, grieves, remembers. But beyond the mourning lies a more enduring question: what becomes of a people when the storytellers are gone?

The void left is not easily filled. These artists were not only performers — they were interpreters of the Filipino experience. They reflected our joys, sorrows, struggles, and triumphs in ways that politics, policy, or even journalism often cannot. They were mirrors and molders of our national psyche.

In losing them, we are reminded of the fragility of cultural memory, and of the urgency to preserve it. Their works must be archived, taught, and celebrated not only in retrospectives but also in curricula, museums, and public discourse. It is not enough to remember them only in moments of tribute. We must ensure that their contributions inform and inspire the present and shape the future.

But their legacy is not just in their body of work; it is also in the artists, filmmakers, singers, and storytellers they have inspired. The task before this new generation is monumental: to uphold the integrity of Filipino art, to innovate while remaining rooted in the truth of our culture, and to tell stories with the same depth, bravery, and beauty that their predecessors exemplified.

In the end, the measure of these artists’ lives is not just in the awards they garnered or the records they broke — it is in how deeply they are woven into the fabric of Filipino life. Their passing marks the end of an era, yes — but it also issues a call: to cherish, to continue, and to create.

In celebrating their memory, may we also commit to nurturing the creative spirit of the Filipino — undaunted, authentic, and ever luminous.

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